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Some of the links below are affiliate links, meaning, at no additional cost to you, we will receive a commission if you click through and make a purchase. Drum Replacement is not a dirty word. However, it is an essential tool for adding punch and clarity to an otherwise great performance, and a great corrective tool when mixing a session you did not record. It is also a much cheaper solution than booking another day of recording to re-mic and re-track a kit
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Their latest product makes it easy to use these to augment or replace live drum parts. Using the supplied samples is often the preferred option, however, as the sets have been designed to minimise phasing issues when samples are layered. The drum samples are arranged in folders by type — kick, snare, toms and so on — and samples can be loaded into any one of six slots.
To the right of the browser is the main display. This shows the incoming waveform from the drum track you wish to replace or augment. So as to capture only the intended hits, while keeping the dynamic range as wide as possible, the input level slider should be adjusted so that the loudest hits are close to the full screen height. The Mix control adjusts the balance between the original track and the samples being triggered, while the Output Level control sets the volume of the triggered sample or sample layers.
The Leakage Suppression function is one of Trigger’s secret weapons, allowing more reliable triggering in the presence of spill — but I’ll come back to that later. As you adjust the frequency, the text changes to tell you what drum the setting might be suitable for.
The lower half of the window is where you adjust parameters relating to the sample playback. Though the outputs from the six sample instrument slots can be mixed, there’s no separate mixer page: Similarly, pan, solo, mute, phase invert and envelope settings always relate to the selected instrument. Each of the six instruments has its own independent dynamics and velocity curves, which define how closely the dynamics of the replacement samples should reflect those of the original source.
All the Steven Slate sample instruments have articulation presets, referred to in the manual as modes. Snare drums have four modes: These can save on both loading time and memory if you only need loud or soft hits. The samples are categorised into several groups. However, these samples are designed to layer well with the Z1 mono samples.
These have no further processing. Most samples can be mixed, other than the Z1 and Z3 categories, in which phasing issues are likely. You can also mix multiple Z1 samples or multiple Z3 samples. Fix That Leak Trigger has two detection modes, designated Accurate and Live, and either may be used with or without Leakage Suppression.
The secret weapon in Trigger’s arsenal, as I said earlier, is its Leakage Suppression capability. Like most good ideas, it is so simple that you wonder why somebody didn’t think of it already. In this mode, the blue waveform depicts the original track, and the red portions show where Leakage Suppression is taking place.
You then adjust the levels of the spill signal and overall Suppression level until the red peaks are slightly higher than the leakage peaks. When adjusted correctly, this also allows the Detail control threshold to be set lower than usual. This screen shows the original kick drum hit top and Trigger’s replacement. The timing is very precise, but in this case it might be better to manually flip the polarity. When layering the sound with the original, it seems unreasonable to expect perfect phase accuracy, because the exact trigger point will depend on the threshold setting and what else happens to be playing at the same time.
In the screen above, for instance, you can see that it places the replacement sample starting in perfect sync; however, its initial transient is opposite in polarity to the original kick, which highlights one area where manual intervention may be required.
Trigger doesn’t adjust the polarity of its samples to match the original drum hit, so if you come across this problem when mixing the original hit with samples, you should invert the polarity of the source track before setting Trigger to work.
On the subject of precision, Steven Slate told me: So triggering is performed not at the very beginning of the transient, and not in the envelope peak, but somewhere in between, according to the shape of the initial transient. We found that this approach worked best on the majority of our test drum recordings. The best thing is that this approach delivers much better results on bad tracking, compared to triggering at exact transient start.
The main limitation, when compared to the full version of the software, is the fact that SSD5 FREE only comes with a single sampled acoustic drum kit. See also: Of course, multiple outputs are available for processing individual channels with third-party effects. The drum mixer panel in SSD 5 Free. Back to the big difference between SSD5 and SSD5 FREE, the single Pearl drum kit which is included in the free version sounds very good and is quite versatile in terms of tone with some added processing.
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Please contact support here to request a 15 day license deposit: Submit A Request You can use the following information to download. Steven Slate’s TRIGGER is the next generation drum replacement All the samples in STEVEN SLATE DRUMS are recorded to 2 inch tape and processed . Steven Slate has announced that Steven Slate Drums 5 is now with full functionality and one Deluxe 2 Kit for free – it’s not an expiring demo.