Access Virus TI Snow Keyboard Synthesizer
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The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW. The first Virus was released in and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world. Dre consider the Virus a core part of their studios.
Access Virus TI2 Darkstar Keyboard Synthesizer
The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW. The first Virus was released in and each new iteration has added more features more powerful hardware, and greater musical potential.
That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world. Dre consider the Virus a core part of their studios. Classic signature sound Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production.
Every part, even in multi-mode, comes with its own chain of independent effects including reverb and delay. The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat. Future proof investment Atomizer is our performance-oriented beat slicer, allowing you to play on your keyboard what others can only cut and paste inside their audio workstation.
Features like this keep the Virus at the forefront of innovative sound design. Music evolves and we evolve the Virus for you. Every day. Shredder your beats An audio effect in the Virus’ effect section which allows you to shred live audio using the keyboard.
Furthermore, your modulation wheel becomes a DJ style cross fader, the pitchwheel re-pitches the incoming audio in realtime and the whole FX section can be used to truly mangle the signal. The beauty of being different Virtual analog oscillators aside, the Virus TI offers an extensive range of musically exciting tonal building blocks.
From wavetables, to hypersaw, to grain- and formant table oscillators, every single one was created with complete attention to detail, commitment to innovation, and a passion for musical potential. Section Locking for instance is preset mutation on steroids. Imagine you were basing your lead melody around a user arpeggiator pattern and later in the game you realise that you want to keep the pattern but change the sound.
Using Section Locking all you need to do is to lock the arp pattern and start browsing through your entire library to find something suitable. We honour this tendency by giving you one of the largest free sound libraries anywhere, made by professional sound designers.
Even better, we make sure that all sounds officially released for the Virus TI are checked and refined by our internal sound design gurus first. This way we can assure that the sounds have a minimal CPU footprint and maximal flexibility with all sorts of controllers pre-assigned for your enjoyment.
Tweaked for performance We spend a great deal of time optimising the TI for performers. Studio players can automate a filter sweep until it sits right, but having controls that feel right to performers make the TI better for everyone, all the time. One of the reasons why many of us are drawn to vintage synthesizers is that the few hands on controls those had tend to be a joy when tweaked.
That’s why we fine tune every parameter in the Virus for performance. Ultra fast response The TI is ultra fast. All menus are laid out for quick access to the most important parameters. Little extras make all the difference The wooden side handles were specifically designed to give performers who make use of the pitch benden and modulation wheel extra grip. The pedal inputs are auto switching, so you don’t have to worry about configuration when you need to borrow a pedal in a hurry.
The keyboard versions’ LED logo on the back pulses in sync with the Virus’ tempo, providing a visual metronome for the rest of the band to make live arpeggitor lines more enjoyable. The Virus can interpret the tempo of an audio source and sync to it in as little as one bar. From that point onwards, everything will stay in sync — LFOs, delays, arpeggiators, the beat slicer and more.
Assignable knobs Every virus patch allows you to connect your favorite sound shaping functions individually to three onboard assignable knobs. You can name these mappings appropriately and even assign multiple parameters to one knob for multi-axis real-time sound morphing.
The entire housing is made of metal, ensuring road-worthy reliability, while overall weight is reduced with lighter materials for comfortable transport. On the road, a reduction in weight is a gain in the quality of life. Plenty of horsepower During the development of the Virus TI range, we felt that in order to achieve the complexity on nowadays’ production sound an enormously fast system would be needed.
That’s why, in difference to all Viruses before, the TI range utilises two parallel and highly specialised Freescale signal processors. With the Virus TI you don’t have to re-assign effects in multi mode and think about how to share your reverb. Because every patch sounds exactly the same in multi and single mode.
The Virus in full effect The Virus TI is not only a synthesizer; it is a full-fledged multi-effect processor with analog and digital inputs. Listen to the following examples which feature real bass, guitar and drums played through the Virus’ FX engine. Of course the entire synthesizer engine works in parallel so you could play synth parts simultaneously. A simple idea that changed the entire game Since the arrival of software based sequencers and audio plug-ins, the production of electronic music has vastly changed.
That’s why we invented Total Integration which enables you to use your Virus TI hardware synthesizer just as you would use a software plug-in. Enjoy the raw horsepower and sound quality of a high end hardware synthesizer without taxing the CPU of your sequencer workstation. Total integration has the added benefit of storing your sounds directly in the project file, eliminating the need for sysex dumps and sound mismatch problems.
Lastly, the technology allows sample accurate timing– a first in the world of hardware synths. The benefits are obvious: All of the synth’s controls are fully functional and automation is seamlessly simple. Once you work with Total Integration, you will wonder how you ever tolerated the old ways of working, between cable problems, messy MIDI message editing, loose timing, and lost sounds. Total Integration is a complete revolution in a single technology. Reduce Your Stress Levels How many times have you opened an old project or song only to realise that the presets required are no longer available in the user memory of your synth?
Or perhaps you had edited a patch to accommodate the specific requirement of a different song, only to discover that the change adversely affects your other works. Get Organised Virus Control is a comprehensive patch editor with a powerfully flexible browser.
Virus Control truly accelerates the search for the right sound. The software automatically syncs with any connected Virus TI, eliminating hassle of data management. Your job is only to focus on what you were here first for: That’s why modern producers so enjoy the ease and power of plug-in effects and automation.
Total Integration facilitates modern production techniques by streaming audio from the Virus TI directly into your favorite DAW, enabling you to refine the sound coming out of the Virus with your choice of plug-ins. In difference to less-developed USB-powered synths, the Virus is able to stream discreetly directly into our Virus Control plug-in instead of arriving at the audio inputs of the audio interface.
Automation is just as easy, with control lanes for sound parameters at your fingertips. The great news is that all of these instruments produce the same award-winning sound.
In this way, we offer you a choice of formats without compromising the most important aspect of any instrument: Virus TI Desktop This synthesizer will make any desktop proud! The TI Desktop features an all-metal enclosure with a wooden strip on the front.
Loads of knobs and buttons give direct access to the most important sound shaping parameters. This range of instant access hands-on control will delight those who don’t like menu diving. Like all other Virus TI synthesizers, a stereo analogue input offers the power to process external signals through the Virus’ sound engine.
An optional 19″ rack mounting kit is available for purchase. It’s footprint is not larger than an issue of Mix Magazine. The patch select buttons make searching for the right sound a breeze and allow you to access any of the internal patches with four or fewer button clicks. Virus TI Keyboard 61 semi-weighted keys with great action and jacks for connecting pedals make the Virus TI Keyboard a performer’s dream. The wooden side panels offer a great “grip” and make transportation a more enjoyable task.
With over onboard sounds you will never run out of ideas while jamming. Virus TI Polar Designed as the ideal companion to any DJ or project studio, this key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models. A maximum of parallel effects in total.
Reverb and delay, chorus, phaser, frequency shifter, ring modulator, distortion, 3-band EQ and new Character processors. Modulation Matrix with 6 slots each featuring 1 source and 3 destinations. Knob quantise for creating stepped controller movements. Adaptive control smoothing for jitter-free modulations on all important parameters. Multi mode with embedded patches. Hardware Dual DSP system which dynamically allocates its resources.
Depending on the complexity of a patch everything in between 20 and 90 voices can be achieved voices with Virus TI Snow. Surround sound capabilities. Thereafter the Virus TI follows the tempo. Total Integration keeps working, even if you prefer to use another audio interface. Sample accurate and delay compensated timing. All knobs on surface can be used to control other software and hardware synthesizers this feature is not available for the Virus TI Snow. This combo is capable of cranking out in between voices.
Also thanks to the high end design, we were able to improve the overall system response time sometimes referred to as latency which makes the Virus TI Series even snappier, especially for live musicians. HyperSaw oscillators HyperSaw is a multi-sawtooth oscillator. With a single parameter the user can alter the amount of parallel oscillators from , smoothly and in realtime.
You can literally add more oscillators to fatten up the sound whilst playing a chord. The relative tuning and spread can be controlled as well. You can build new patterns from scratch or use one of the 64 presets as a foundation.
Sync sounds especially benefit from PureSemitones.
Made to perform
It quickly became a very popular and favorite synth with its aggressive analog sounds. It’s got knobs, analog synth sounds and drums and a whole lot more! The Virus uses physical-modeling to digitally re-create analog sounds. German precision got it right!
VIDEO: VIRUS TI2 DESKTOP SYNTH MODULE | Tom Lee Music
Access has taken their best Virus synthesizer and made it even better with the Virus TI2 Keyboard Integrated Modeling Synthesizer. It’s all you need to start. The Access Virus is a virtual analog synthesizer made by the German company Access Music GmbH. It was first produced in and has since been upgraded . The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your.